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Madrid National Ballet

Outstanding Dismissed of " The Lake of the Cisnes" in Madrid. Mario Passes 2 of October of 2011 23:30, Spectacular goodbye of Alicia and its lake in Madrid. October 2011/Lunes/Mario Passes 12:56 the Lake of the Swans 9 5 Commentaries 1 2 3 4 Average: 4,8 Votes: 10 After concluding its successful presentations, of that incunable that is the lake of cisne" , with choreography of Alicia Alonso on the original one of Marius Petipa and Lev Ivanov, music Piotr Ilich Chaikovski and stage scene of Ricardo Reimena, in the theater the Channel of the Spanish capital, the National Ballet of Cuba Can feel more than satisfied with the obtained results, demonstrating that incommensurable one of the dance that is madame Alonso, has been able with its trusteeship to guide them by the way of the perfection, by something is internationally considered Divine of the Dance ; with a hearing outside the normal thing, concerning five days consecutive and one double function, the B.N.C once again demonstrated that as far as quality, style, discipline, technique and ends it talks about, at this moment no they have world-wide rival, this considering that as soon as they had receso of the past presentations of Ashen, splendid proposal of that great coregrafo that is Pedro Consuegra. As he is habitual by that it is respected if it wants to write seriously on the subject, I went to all the functions, with the aim of being able to value the different lists. The wonder began Wednesday 28 with Viengsay Valds and Alexander Virelles in the protagnicos rolls, both were agreed to the prestige of the institution, with an ideal line, I dance without great technical shows, free of which from my point of view can carry the evil easily dance taste. Consecutively the following night, the pair Sadaise Arencibia-Arin Oil mill handled another type of interpretation, dancing of ideal physicist, already knew their Odette, without the smaller doubt in the work their better moment, although this time I sail very worthy in Odile, maturing remarkably its interpretation, the young Oil mill, for my totally not known is a new promise very to explode, of that form he would win in scenic consistency, probably in the future very near was spoken to much envelope.

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Brazil: Carnival and Music

The CARNIVAL AND the MUSICALIDADE In Brazil we have the most beautiful musical culture of the world, represented for its variety and rhythmic and instrumental diversity, since the times of the saudoso Chico Viola and the inesquecvel Carmen Miranda until the days of the venerable masters Pink Noel, Adoniram, Cartola, Lupcnio, Pixinguinha, Paulinho of Viola and Jacson of the Pandeiro. All the instruments if had made and if they make gifts in Brazilian music, since the first decades of century XIX, as the violo, the viola, the guitar, the banjo, cavaquinho, the pandeiro, the violin, clarineta, the flute, saxofone, etc., which had made history following or at the hands of the great artists of our music. Through the culture afro-Brazilian, we had contact with the tambores and atabaques that, combined with the vocalization and other said instruments tropical, they produce rhythms pretty, and its respective ones bailados, between which mambo, frevo, reggae, the parsley, the cmbia, etc., good accepted in all America and other continents. Our carnivals, until the decade of 60, still congregated the musicalidade of different instruments, as clarineta, sax, the violo, cavaquinho, etc. But from the moment where, by influence of the Carioca carnival and the said samba-modern, the instruments of rope and blow in its combination with excessively had been abolished of our carnivals, they had been only the instruments of percussion or battery, as bumbos, deaf, boxes, tarolas and baquetas, and this party lost its original musical enchantment, safeguarding itself, for its variety, the northeast carnival and the bahian rhythm, with its carnavalescos groups and its musicalidade as it does not have equal, still today, in Brazil and the world.

Today, in the capitals of the south of Brazil and cities of the interior, in carnival times, we coexist the rhythm of the batucadas ones solely of? samba schools? what, even so are of the taste and the affability of the communities, in the truth in do not show no instrumental, but only one monotonous and continuous one to them melody? bateo? , that it wounds, for hours the wire, the spandrels of who listening, and alone welfare provides a great one when it silences. I remember that in the decades of 60 and 70 he had in the clubs, in the balls of carnival, the musical alternation of the rhythms and sorts, where frevo and marchinhas I was intercalated with mambo, the parsley, the cmbia, tango and bolero, exactly not to tire, or to rest of a type of rhythm hearing another one. Today, in the street carnivals, the participation of the samba schools is essential, with its commission of front, its sincronia and the beautiful choreography of the passistas, cabrochas, Bahians and door-flags. But this is not only carnival. They lack the old ingredients and, mainly, the musicalidade, that if lost. Luciano Axe.

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Who Created Music

I am imagining how much music exemplifica the perfection. The junction of the correct chords results in a melody that fulls the heart. Music is logical, is mathematical and feeling. Even though who does not understand of notes, ciphers, chords or partitions, if it leaves to lead for the waves of a good music. Music alone can have been created for God. I imagine that in the sky it must have much music, therefore it is used to adore, to exaltar the Creator of all the things (of music also).

It has musics, on the other hand, that the rhythms and letters are the junction of chords associates that they destroy. Bad music nothing more is of what the disfigurement of what it is good. I do not support to hear musics that speak of aggression, that they have language of low moral, that in general diminish the value of the woman or the human being. Unhappyly deturpe has who what God made with as much perfection. It values good music; poetical music, music sacra, cultural music and as much other types of music how valley the penalty! How its life is a beautiful melody! It learns to touch violo with my method. It makes DOWNLOAD: The Musical comedy

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The Music

Today sorry, I remember that Rick and I very prepared with it – certain time, it ran behind us to punish us for that we had made with its cachimbo and I launched the sandal in its nose I made what it to cry sufficiently, similar place tourist the New city of Caldas in Gois, that attracted visitors due to the rumors of that its hot waters are miraculous. However, they to take had not been able me since she had not finished the school year, being in Itaberaba liveing with my grandmothers until finishing the lessons. Therefore, I was very sick having the state aggravated for the homesickness of my parents. When knowing of my disease, my mother came back toward alone Itaberaba and took care of of me recouping until me total, immediately afterwards was ready to live in very difficult Tucano.Foi to move away to me from my grandmothers and Rick, but> to help in the adaptation, Rick and my Cali cousin had been to pass the pertaining to school vacations back in Toucan with me – fits to stand out an episode where Rick and a friend ours of Toucan entered in a competition of who ate more pizza, what it took the boy to be interned per days, decurrent of alimentary infection -, and to the end of the vacations, new events had marked my life. In the school, I knew two girls who had divided my heart for the first time, started if to disclose my indetermination typical of libriano. The first Milena call was brown and well shy, had a family humble, however very gentile, however unhappyly any loving relationship was impracticable for terms one strong friendship. The second Mrcia call was well white, had long hair chestnuts and smooth, for being extrovert and sincere, it did not delay to ask for to me in namoro, thus to the nine years my first I had namorada, but one namoro typical one of child, however of strong impact for me, as much that I remember the music that touched in the hour where it finished with me: ' ' I know that there inside still deferred payment a bit of me, a great love thus does not finish, done foam to the wind, is not moment thing, but is passenger, craze who goes and passes done trick, the love leaves marks that of pra not to erase, its that errei and you pra to pardon, crazy head, heart in the hand, desire asked for to you here catching fire, without knowing right the hour and nor what to make, I do not find a word alone to say pra you, but if I was you love, I came back pra me of new, and of a thing is certain love, door goes to be always open love, my look goes to give to a party love, in the hour that you to arrive ' ' (L.

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UNIVERSAL LANGUAGE: MUSIC

Esteartigo SUMMARY will deal with questions that relate music as a form of linguagemde cultural expression, social, religious and individual. We will search esclarecercomo music is present in the history of the human development and as elainfluncia in the most different aspects. We over all know that the presence of music to nodecorrer of the history of the humanity is undisputed, in more diversaspocas and races, being a language that is beyond the time and of the space. Noexiste inside of any culture a more expressive and complex phenomenon of the quea music, therefore incorporates in itself physiological aspects (agency of the directions), physicists (musical structure) and psychic. Nestapesquisa we will be able to observe as the manifestation of music is for algunsestudiosos an innate attribute of the human being, necessary for its expressosubjetiva. Music is composed for notes that we can attribute as symbols, but these is not endowed designificao, this significao is attributed subjectively for each indivduoque it makes auditory contact with music.

importante to stand out that the musicalidade crosses diverse sensible pelaconcatenao of the words and the gestures, being produced a social effect diferenteem each group. This if of the one for the individual and psicossocial nature that alinguagem has that, for times, if becomes general symbol of identification interpersonal nasrelaes. In this way, each group is constituted by one estiloque is common to all the participant members. For example, religious groups, of children, bands with specific rhythms, amongst others. Explanaremoscomo is possible to glimpse in each individual characteristic of suasubjetividade that if they show through the relations with the formed groups to apartir of gostos and musical affinities and the possibility of enxergar, also, as the individual is capable to relembrar and to reviver moments and people marcantesatravs of the emotion that was attributed to a significant one in the musical symbol. Comoconcluso, searchs to demonstrate as music can be one referencialimportantssimo for the agreement of the mind and its emotions and, mainly, of its subjectivity.

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Musical Professional Development

Continued formation and the process of professional development of professors Amanda Hunter Blacksmith International college of Curitiba (FACINTER) Mara Pear tree Da Silva International college of Curitiba (FACINTER) Summary: This article will analyze the continued formation and the process of professional development of professors leading in consideration law 11,769/2008 that it becomes obligator the musical contents in the basic education, having as point Art. 2 that it was vetoed by the president of the republic which treats on the specific formation of professors for the education of music. The article this based on bibliographical sources and experience of the authors, articulating practical theory and, that is, the studied contents will go to base the carried through reality of the writers and analyses, making a linking with the thought of varied educators. Words keys: Musical education, Law 11,769/2008, continued Formation, Formation of professors. teaching continued formation is important so that the professional comes to be brought up to date in the work world, and that education in the institutions can improve to each day. This can be made of some forms, in such a way actual as in the distance. With the advance of the educational technologies, varied courses exist so that the professor who does not make use of a skillful time can characterize itself in the long-distance modality, making its proper schedule of study.

When living deeply this question of the formation continued in pedagogical practical mine I say that although to little experience, in classroom I try to make not only specific sufficiently diversified courses of my area, more than other similar areas or. Through these courses I have learned sufficient things that have contributed for the construction of my profession of professor. The professional of the education has that to be cliente of that its work is not only to transmit knowledge more also to take the alunado one to think, and to think certain.

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Zorba

Ideally, this grassy slope length of 150-200 meters at an angle 15-35 degrees, with antiuklonom to stop. Theoretically, you can ride on the asphalt, or sand, but the dust of time makes the ball is opaque, and it already nezrelischno. That is why sand or asphalt playground for skiing encouraged about making a special coating that protects the ball from harmful influences. Standard Zorb has a volume slightly less than 13 cubic meters and weighs 80 kg. The air between the spheres is pumped through a special compressor. By the way, Zorb not bursting – not at full speed or at a quiet speed. Conducted special crash tests, during which the ball repeatedly faced with acute and severe static objects and even fly over car. Zorb speed reaches 50-60 km / hour.

If you prefer, you can accelerate and more, but it's not safe. When it officially registered a record speed of Zorba – 113 km / hr. However, the Zorb is forbidden to jump off cliffs. In for passenger safety, to protect it from impact, the scope is poured a little water, sometimes in small portions scents zorbonavta during skiing. In the Zorb can jump, stand or run, but the best special buckle straps inside of the ball. Many are interested in the question: Do not throw up in person Zorb? The answer – no, not throwing up. Firstly, because the speed of Zorba not so great – for one full rotation to the ball requires no less than ten meters.

And secondly, everything has already been tested empirically: the Zorb has rolled thousands of people, and none of these problems were not. In general, Zorb – a spectacular, extremely. Imagine a huge transparent ball – it pushes from the hill, he rolled down and the man inside screaming with joy and adrenaline rush! The unusual rotation opens zorbonavta new unforgettable sensations and emotions. You fly like an abyss, with you flung from wall to wall. And if you do not squint, you can see how the bright sun and blue sky immediately replaced by green grass and trees. Anyone who sees it wants to be sure to try myself and will not rest until you do a few laps in this marvelous transparent ball. So try it and you – what are you worse?

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Photographing Children

One of the most fascinating and exciting subjects in the photograph, according to the photographer from Krasnodar, is a child. But to photograph them is not easy. To really understand their need to dip into childhood, to be able to to get something more than just a smile, we must be patient, have a mind and intelligence. There are several important points, considering that you can get pictures, stop a moment. First – this time. Plan Sufficient time may take 2-3 hours for very young children (care, snack breaks) and 1-2 hours for older children.

You will find yourself mistaken thinking that the child will work with you as an adult – is You have to adapt to him rather than vice versa. Choose a time for a photo shoot so that the child was fed, slept, and still not tired – then your meeting will take place effectively. Second – the right clothes! Remind parents that Children will work much better if they feel comfortable in familiar clothing. Or when they choose their clothing, although this point can scare parents. Gently reassure them that the picture would be more convincing and less far-fetched when the child feels comfortable and confident.

Third – start session in a familiar place for the baby – home, playground, and then you can gradually move to other places. Do not start immediately photographs, first earn the trust of the child, talk with parents, let the child make sure you are not dangerous for him, and then you can start gently interact with your child. Another such moment, I usually ask parents to leave the room, or be near, but not in direct line of sight. Avoid at all costs so that mom or dad stood behind you and ask the child to smile and look at the camera. It's a trap. Talk with children, and importantly listen to them! (You'll pick up this kind inevitably experience if you often take pictures of children). And let the magic happen! Do not force your child to smile all the time, of course, all parents want a photo of the child with smile on his face, but certainly at home, there are many such images. It's very interesting to capture the variety of emotions and expressions on the face, otherwise you will get a lot of quality, but very similar images. Doing shots get down to the level of the child, and he, too, will feel more confident. Ask your child to tell you my favorite story or show favorite toys. Be flexible, maybe not all will, as you have in mind, Have a few ideas in reserve. And patience! Patience! Patience! I hope these tips will help the photographer from Krasnodar to become more patient and not expect a child of stage pictures. "Catch" him in any situation and you and him parents will be pleasantly surprised at the results.

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Socialist Republic

To the ears of the common man, not particularly versed in linguistics, the phrase "the Yugoslav language" is quite normal. But try to casually drop it when a linguist, you will immediately see a grimace on his face, which often occurs at the musician, catch a false note. This is understandable. In linguistics there is no such thing as "Yugoslavian language." And yet, how is it? Until the 90's was the Socialist Republic of Yugoslavia and became be, and the state language, too, was. And it is absolutely fair to call the Yugoslav, even though for reasons of elementary logic and norms of the Russian language as "Yugoslav" – meaning "pertaining to Yugoslavia / Yugoslavia." So what still is – "the Yugoslav language"? Until the political map of the world, there is a state like Yugoslavia was, respectively, and the state language, which was called Serbo-Croatian. Thus, "Yugoslavian language – the language of Serbo-Croatian. In fairness it should be noted that the "Yugoslav" one hundred percent of his can not be considered. Most of the country it said, but Slovenia and Macedonia – no.

But since another, absolutely Yugoslav, language was not, then we will assume the Yugoslav Serbo-Croatian language. In principle, the Serbs and Croats began to speak the same language since the VI century, ie from the time when their ancestors were on the Balkan Peninsula. In this case, the Serbs were convinced they speak Serbian, Croatian and saw it as their language Croatian. By and large, these languages differ from each other almost as much as the Moscow dialect to dialect Pomorie.

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Russian Sappho

Autumn was a rainy day. Weather lousy, but ahead of two hours waiting to be while away. Of all the entertainment – just nipped the disc with your favorite music in radio, mobile games with bored, sullen pedestrians on the street and a volume of poetry in the back of the machine, purchased once in passing in a small shop and did not open ever since. Given the dreariness of the situation and almost broken a quarrel with the woman heart, poetry – the best way. So took my acquaintance with the work of Sophia Parnok, whose poems have left a deep imprint on the soul. I do not pretend to the role of the researcher of this remarkable poet.

About her many articles and books, it left a bright trace in the poetry of the Silver Age, and because I only share their own experiences, which remain after an acquaintance with the facts of her life. Our community, no doubt, Sophia Parnok known before just as beloved by Marina Tsvetaeva. Their brief affair lasted about a year and opened a new chapter in the work of Marina Tsvetaeva, and we, the fans of her work, gave remarkable cycle of poems "friend". And yet, Sophia Parnok and her poems are worthy, in my opinion, much more than stay in the shade of her famous lover. Sophia was born in 1885 in Taganrog, a respected Jewish family.

Early lost her mother, who died after giving birth twins Elizabeth and Valentine. With his father relations went wrong, as he quickly forgot about the death of his wife and tied the knot with a governess for their children. Sophia was a beautiful girl, bright, temperamental, clever. She had beautiful hair and great gray eyes. Her first love was junior Hope Polyakov. They met in the Crimea and their relationship lasted a long five years.