Brazilian Music

Then, the trend irresistvel to think it as a closed and resistant block to the negotiation, mainly pelaidentificao of culture with national space. The esteretipos and preconceitosque below need to be taken alone go to have end when the colonizadaimpor culture its identity and if to open to others. An example in querepresenta Brazilian music, this in case that, a society or community making vindication misturade races. As we can perceive below in stretches of sung musics pelabanda the Rappa that they come as example of cultural resistance the importation eexportao of culture, that is, against the mixture of races. White, if the value vocsoubesse that the black color has. You took a bath of tar, white and, ficavapreto also. I do not teach my malandragem to you.

Nor so little minhafilosofia, reason? Who of the light the blind person is white cane in Luzia Saint. (PaulinhoCamafeu) In another one the estratgiacontrria is perceived: search one for the transculturao between blacks and whites. The Amarelodo Man Samba of the Mount Of the Hip Hop of the Saint Marta Cuban parsley of the eastern black Had grasped a parrot in the daladeira descending Malandro of lowered in land estrangeirA Already is ouvidana central office That catches buzum, that it says to another Reencontra language eesquinas suburbs Is the command in glass table That the outlaw does not enumerate I and minhatribo Playing in the places of fetichism I and my tribe In the places of fetichism of the Smisturando world pra to see in what he goes to only give mixing pra to see in what goes to give to Smisturando pra to see in what goes to give. (The Rappa) the proposal of Bhabha and Fanon link is abrirum other cultures and to ask for a descolamento of the two slight knowledge, substituting or supplementing the geopolitical determination with a series possible depositions of the citizen, as race, sort, generation, sexual orientation, etc., therefore this type of closed block does not eliminate the esteritipos damarginalizao only leaves the things as they are and the true change deconceitos of a society alone occurs when the colonized citizen decides exporsua opnio and its vision on the sofidos acts showing, thus, crtrioavaliativo and critic on the facts and, conceqntimente, so the sonhadaidentidade.