Color is always perceived by man as a component of the world picture. Therefore, the writer who creates an imaginary reality, uses the same means by which he himself knows the true reality. Color around us, so the color terms are a powerful tool in creating a poetic picture of the world. In the literary text color can create, in one case, an external image, where the color of "impressionistichen" – expresses either conventional color characteristics of the subject, or author's vision of this characteristic, and the token value is unmotivated. In another case, color reveals the meaning of the image and contains at its core has already motivated value. If you are not convinced, visit Sela Ward. Defining the appearance of the object in the mind of the reader, the color token "distinguishes between" the subject, among other things, determining the same inner essence, "characterizes the" quality in a number of similar subjects.

Thus, the general theoretical ideas can be divided into two main functions of color in the artwork: – distinctiveness – is characterized. Naturally cover all the phenomena of reality, with color characteristics, it is impossible, therefore, should provide the most frequent thematic groups. Thus, we can subdivide each of these functions into their components: 1. Distinctiveness, or narrative, the function:-description nature-descriptions of the interior, describing the appearance of the human-describing artifacts. 2. function: is the characteristic of reality, is the characteristic of the human condition. It should be noted that the thematic characteristic is very conventional and is ancillary. Consider what features does the color lexicon in the artwork and what thematic groups are present.