The rupture of the agreement of Bretton Woods is a strong example of the dematerialization of the money, played in a floating market. To adapt to this fugacidade of the money the merchandises they had acquired daily functions each time, becoming the market of little estimative the sociocultural exclusiveness. Others who may share this opinion include Tony Parker. The bombing of products allows the consumer to live diverse realities from simulacros inspired by the identities of the museums. The fiction after-modernista is extremely plural and not objective the coherence; we could now reflect the creation of the myth of the only global culture. This is world where the individual possesss diverse options of escape, however, the simulacros, the ways, need profit potentiality to get global acceptance. Now it starts if to become perceivable an alteration of sides in the context that demonstrates trend will to the predominance of the identification space.
Harvey, however, does not present an argument of which if it can extract an alteration of the compression clearly time-space for an aiming in the identity. We can notice, yes, a conservadorismo in the ideology of ' ' ser' ' , more pleasant to the market, and, in opposition, ' ' to come ser' ' that it nails the construction of the space and of identity in function of the capital. At this moment it is possible to notice the return of estetizada geopolitics as acalmador of spirits in the conflict with the manipulation of identities, however the relation of the scene of the politics with the scene of the market in the final decades of century XX is very confused. Harvey leaves only the speculation of the possibility of the reinforcing of the historical materialistic interpretation for the analysis of the compression time-space, pressured for the accumulation of capital of reduced time-of-turn. In chapter 18, David Harvey uses the cinema, that appeared in the context of first the great impulse of cultural modernismo e, amongst all the artistic forms, perhaps has the capacity most robust of dealing with instructive way of interlaced subjects it space and it time.